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Michha

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Included are discussions of pan-Indian versions of the epic, which include film, video, and the comic strip; and those local to Orissa, including rural theater and festivals. With depth and originality, Williams considers how Indian art tells a story in distinctive ways. She discusses the artists' narrative strategies and offers interpretations of how and why artists made their choices.

Michha


Noting that we often treat images designed to be seen in sequence as separate pictures, Williams argues that considering several Ramayana images in sequence reveals their qualities of variety, surprise, and emotional development, promoting an understanding of how the story is told. Included are discussions of pan-Indian versions of the epic, which include film, video, and the comic strip; and those local to Orissa, including rural theater and festivals. Her analysis across a variety of genres offers a new model for art historians; at the same time anthropologists, folklorists, and scholars of literature and narratology will find her work of great value.

Michha

Michha

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Comments (4)

  1. Her narratological study takes into account many familiar genres of visual art: Noting that we often treat images designed to be seen in sequence as separate pictures, Williams argues that considering several Ramayana images in sequence reveals their qualities of variety, surprise, and emotional development, promoting an understanding of how the story is told.

  2. Williams persuasively argues against critics who believe that Indian art, indeed any traditional art, is conventional and lacks individual technique or vision.

  3. Her analysis across a variety of genres offers a new model for art historians; at the same time anthropologists, folklorists, and scholars of literature and narratology will find her work of great value. Included are discussions of pan-Indian versions of the epic, which include film, video, and the comic strip; and those local to Orissa, including rural theater and festivals.

  4. India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their adventures and dilemmas, and demons. Her analysis across a variety of genres offers a new model for art historians; at the same time anthropologists, folklorists, and scholars of literature and narratology will find her work of great value.

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